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<channel><title><![CDATA[Terry Goss - Articles]]></title><link><![CDATA[http://www.terryagoss.com/articles]]></link><description><![CDATA[Articles]]></description><pubDate>Sun, 16 Jul 2023 11:57:13 -0700</pubDate><generator>Weebly</generator><item><title><![CDATA[INTENSITY OF PRACTICE]]></title><link><![CDATA[http://www.terryagoss.com/articles/intensity-of-practice]]></link><comments><![CDATA[http://www.terryagoss.com/articles/intensity-of-practice#comments]]></comments><pubDate>Thu, 27 Mar 2014 15:29:52 GMT</pubDate><category><![CDATA[Structural Alignment]]></category><guid isPermaLink="false">http://www.terryagoss.com/articles/intensity-of-practice</guid><description><![CDATA[ Initially, all of the exercises in Structural Alignment Articles should be practiced as relaxedly as possible.&nbsp; This means that you only use active muscular strength to the degree that is required to maintain the alignment details at your current stage of development, without any sense of strain or discomfort.&nbsp; Always remember that even mild feelings of pain are an indication that the exercise is being practiced incorrectly, too intensively, or for too long. &nbsp; As your practice pr [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:left;height:0px'></span><span style='z-index:10;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="http://www.terryagoss.com/uploads/2/1/4/1/21415104/184582.jpg" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:1px;padding:3px;" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: block; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:left;display:block;">Initially, all of the exercises in Structural Alignment Articles should be practiced as relaxedly as possible.&nbsp; This means that you only use active muscular strength to the degree that is required to maintain the alignment details at your current stage of development, without any sense of strain or discomfort.&nbsp; Always remember that even mild feelings of pain are an indication that the exercise is being practiced incorrectly, too intensively, or for too long. &nbsp;<br /><br /><span style=""></span> As your practice progresses, you can add force to your stretches.&nbsp; When this is done appropriately, it will be enjoyable, and will also be totally without strain or discomfort.&nbsp; When more force is applied, there will be greater muscle tone that increases the extension of the body.&nbsp; The structural details will remain the same, while there is a more active elongation of the spine, and a greater decompression of the joint spaces throughout the body.&nbsp; &nbsp;<br /><span style=""></span><br /><span style=""></span> For example, during <strong style=""><em style="">Backbend over Roll</em></strong>, the arms may be actively stretched upwards away from the torso, while the legs are actively extending down away from the torso. This will significantly increase the overall stretch. The Spinal Elongation Breath in any of the exercises may be practiced more strongly.&nbsp; Even the conscious practice of the alignment principles described in <strong style="">Structurally Aligned Standing Posture</strong> can be practiced strongly as well, once the relaxed practice is well-learned by the body.&nbsp;<br /><span style=""></span><br /><span style=""></span> A stronger practice of any of the exercises should only be investigated once the body has already been opened to some degree, and you are comfortable with the practice details while more relaxed.&nbsp; If you develop the more active form of practice in any of the exercises, a particular practice session for that exercise may involve: first aligning the body in the exercise with relaxation, then smoothly adding more force, holding the stronger position for a time, then smoothly releasing the added force, until you are again in relaxed practice.&nbsp; You might do this several times during a particular exercise depending on its duration. &nbsp;<br /><span style=""></span><br /><span style=""></span> Slightly stronger practice can be held comfortably for longer than much stronger levels of practice; so as you increase the applied force, this will usually be intermittent, and not for the entire duration of practice of a particular exercise.&nbsp; Be sure to add or release increased force smoothly during practice (and during all other body use as well).&nbsp; Smooth application and release of force need not take more than a few seconds, but should not be sudden or abrupt.&nbsp; Your body sense will clearly direct you as to appropriate timing for increasing and decreasing internally applied force. &nbsp;<br /><br /><span style=""></span> It is not necessary to develop the more active form of any of the exercises in order to derive tremendous benefit from their practice.&nbsp; As with the whole system, the active form of practice is best learned from a competent teacher.&nbsp; &nbsp;<br /><span style=""></span></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>]]></content:encoded></item><item><title><![CDATA[STRUCTURALLY ALIGNED STANDING POSTURE]]></title><link><![CDATA[http://www.terryagoss.com/articles/structurally-aligned-standing-posture]]></link><comments><![CDATA[http://www.terryagoss.com/articles/structurally-aligned-standing-posture#comments]]></comments><pubDate>Thu, 27 Mar 2014 15:25:11 GMT</pubDate><category><![CDATA[Structural Alignment]]></category><guid isPermaLink="false">http://www.terryagoss.com/articles/structurally-aligned-standing-posture</guid><description><![CDATA[ FEET Parallel along the lines of the second toes, if these lines were pointing straight Toes separated by widening of the feet through the balls of the feet Equal weight on 3 points of the foot: the ball of the large toe, the ball of the fourth and fifth toes, and the center of the heel Toes relaxed and not clawed The arch is lifted (the acicular bone can be felt as a primary center of this lift) KNEES Knees unlocked, as far as the kneecaps being even with the end of the large toe The greater t [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:left;height:0px'></span><span style='z-index:10;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a><img src="http://www.terryagoss.com/uploads/2/1/4/1/21415104/4101395.jpg" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; none;" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: block; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:left;display:block;"><strong style=""><em style="">FEET</em></strong><br /><span style=""></span><br /><span style=""></span> Parallel along the lines of the second toes, if these lines were pointing straight<br /><span style=""></span><br /><span style=""></span> Toes separated by widening of the feet through the balls of the feet<br /><br /><span style=""></span> Equal weight on 3 points of the foot: the ball of the large toe, the ball of the fourth and fifth toes, and the center of the heel<br /><br /><span style=""></span> Toes relaxed and not clawed<br /><br /><span style=""></span> The arch is lifted (the acicular bone can be felt as a primary center of this lift)<br /><br /><span style=""></span> <strong style=""><em style="">KNEES</em></strong><br /><br /><span style=""></span> Knees unlocked, as far as the kneecaps being even with the end of the large toe<br /><br /><span style=""></span> The greater the flexion of the knees, the more the pelvis naturally tucks under<br /><span style=""></span><br /><span style=""></span> Strong, aligned buttocks and thighs result in less knee flexion being required to maintain pelvic alignment<br /><br /><span style=""></span> <strong style=""><em style="">THIGHS (when feet are pointed straight ahead)</em></strong><br /><br /><span style=""></span> The front of the thighs (quadriceps muscle) are lifting the kneecaps (in a relaxed standing posture, this is slight) - this lifting of the kneecaps increases with increasing exertion in the legs.<br /><br /><span style=""></span> The backs of the thighs (hamstring muscle) are as relaxed as possible<br /><span style=""></span><br /><span style=""></span> There is balanced activity of the lateral and medial rotators (this includes buttocks and thigh musculature)<br /><br /><span style=""></span> <strong style=""><em style="">PELVIS &amp; BUTTOCKS</em></strong><br /><br /><span style=""></span> The pelvis stretches down in back and in front equally, so that the pelvic basin is not tipping to the front or back<br /><br /><span style=""></span> The pelvis widens out to the front, back and sides, instead of squeezing together<br /><span style=""></span><br /><span style=""></span> The buttocks are active (not flaccid), without excessive contraction, knitting together or anal contraction<br /><br /><span style=""></span> The greater the strength needed in the lower body, the stronger the tone of the buttocks<br /><br /><span style=""></span> <strong style=""><em style="">ABDOMEN</em></strong><br /><br /><span style=""></span> The abdominal wall remains relaxed<br /><br /><span style=""></span> <strong style=""><em style="">LOWER RIBS</em></strong><br /><strong><br /></strong><span style=""></span> Lower ribs remain in, particularly during inhalation<br /><span style=""></span><br /><span style=""></span> This involves activity of the psoas muscles, and creates a feeling deep inside the upper abdomen of pulling in and up, just below the lower ribs<br /><br /><span style=""></span> <strong style=""><em style="">CHEST</em></strong><br /><br /><span style=""></span> Lifted and open (sternum up and forward), without contracting the pectoral muscles<br /><span style=""></span><br /><span style=""></span> This is a stretching up which begins with the head and neck<br /><span style=""></span><br /><span style=""></span> <strong style=""><em style="">SPINE</em></strong><br /><span style=""></span><br /><span style=""></span> Upwards elongation and decompression, which for most persons, results in a straightening effect<br /><span style=""></span><br /><span style=""></span> Slightly lengthening during inhalation, and shortening during exhalation<br /><br /><span style=""></span> <strong style=""><em style="">SHOULDERS</em></strong><br /><br /><span style=""></span> Relaxed down, and out to each side<br /><span style=""></span><br /><span style=""></span> For those persons with shoulders typically rolled forward, the shoulders will also roll back<br /><br /><span style=""></span> For everyone, the shoulders are "squared off&rdquo;, which can be imaged and felt as rolling the shoulders back and down without drawing them together.<br /><br /><span style=""></span> <strong style=""><em style="">NECK AND HEAD</em></strong><br /><br /><span style=""></span> The neck elongates, while the head is held as though gently pushed back from the upper lip, and lifted from the top of the head - this must, of course, be done without any strain or forcing<br /><span style=""></span><br /><span style=""></span> Occasionally imagine and feel that the cranial volume is increasing as the cranium opens like a flower to the front, back and sides along the suture lines &ndash; this encourages normal cranial respiratory motion<br /><span style=""></span><br /><span style=""></span> When normalized, the skull widens out to the sides, shortens from front to back, and increases in vertical height during inhalation, with the opposite occurring during exhalation &ndash; visualizing and feeling this also encourages healing of distortions in the rhythm<br /><br /><span style=""></span> <strong style=""><em style="">FACE AND EYES</em></strong><br /><br /><span style=""></span> Neck, throat, and face relaxed<br /><span style=""></span><br /><span style=""></span> Eyes soft / relaxed / smiling<br /><span style=""></span><br /><span style=""></span> Visual and auditory stimuli allowed to flow in, rather than being grasped for outwardly &ndash; this will increase peripheral vision and hearing<br /><span style=""></span><br /><span style=""></span> Tip of the tongue touching the palate, just behind the upper front teeth<br /><span style=""></span><br /><span style=""></span> Lips touching lightly, with the jaws slightly separated<br /><span style=""></span><br /><span style=""></span> The outer corners of the mouth have a very subtle sense of lifting, in an inner smile &ndash; this is the &ldquo;neutral&rdquo; or &ldquo;idling&rdquo; position for the mouth, when you are relaxed and the face is not expressing other emotions<br /><span style=""></span><br /><br /><span style=""></span> <strong style=""><em style="">DEVELOPED NATURAL BREATHING</em></strong><br /><br /><span style=""></span> During relaxed states, breathing involves primarily the abdomen and lower ribs<br /><span style=""></span><br /><span style=""></span> During states of stronger activity, breathing also includes the middle and upper rib cage<br /><br /><span style=""></span> During relaxation and moderate activity, the lower abdomen will protrude slightly farther during inhalation than during exhalation &ndash; however, it is not appropriate during normal daily activity to contract the abdomen to increase the exhalation<br /><span style=""></span><span style=""></span> <span style=""></span><br /><span style=""></span> During stronger activity, the lower abdomen may not expand during inhalation, as the focus of the breath is increasingly in the chest; likewise, the abdomen may contract during exhalation<br /></div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>]]></content:encoded></item></channel></rss>